闂傚倸鍊搁崐鎼佸磹閹间礁纾瑰瀣捣閻棗銆掑锝呬壕濡ょ姷鍋涢ˇ鐢稿极閹剧粯鍋愰柤纰卞墻濡茬兘姊绘担鍛婃儓缂佸绶氬畷銏$鐎n亞锛涢梺璺ㄥ枔婵敻鎮¤箛娑欑厱妞ゆ劧绲跨粻鏍偓鐟版啞缁诲嫮妲愰幒妤€鐒垫い鎺嶈兌缁♀偓闂佹悶鍎崝搴ㄥ储閹间焦鈷戦柛娑橈工婵倿鏌涢弬鍨劉闁哄懎鐖煎鎾偐閻㈢绱查梻浣虹帛閿氱€规洦鍓欓悾鐢稿幢濞戞瑧鍘搁柣蹇曞仜婢ц棄煤閺夋垟鏀介柨娑樺閸樺瓨顨ラ悙宸剰闁宠鍨剁换婵嬪磼閵堝嫮纾炬繝鐢靛Х閺佹悂宕戝☉銏″亱闁绘劕鎼粻顖炴煥閻曞倹瀚� | 婵犵數濮烽弫鍛婃叏閻戝鈧倿鎸婃竟鈺嬬秮瀹曘劑寮堕幋鐙呯幢闂備浇顫夊畷妯衡枖濞戞碍顐介柕鍫濇啒閺冨牊鏅查柛娑卞幗濞堟煡姊虹粙娆惧剰妞ゆ垵顦靛濠氭晲閸涘倻鍠庨埢搴ㄥ箚瑜庨鍕煛婢跺棙娅嗙紒璇插暟閹广垹鈹戠€n亶娼婇梺鎸庣箓閹虫劙宕㈤锔解拺闁告稑锕ラ埛鎰版煟濡ゅ啫孝闁伙絿鍏樺鎾偐鏉堛劌濯伴梺鑽ゅ枑閻熻京寰婃ィ鍐ㄦ闁逞屽墴濮婄粯鎷呴搹鐟扮闂佹寧姘ㄩ惀顏嗙磼閵忕姴绫嶉梺闈涙閸婂灝鐣烽敐鍡楃窞闁割偅绮庨惄搴ㄦ⒑閻熸澘鎮戦柟顖氱焸瀹曡娼忛埞鎯т壕婵ḿ鍋撶€氾拷 | 婵犵數濮烽弫鍛婃叏閻戣棄鏋侀柟闂寸绾惧鏌i幇顒€鏂€缂傚倹纰嶇换娑㈠幢濡纰嶉柣鐔哥懕缁犳捇骞冨Δ鍛櫜閹肩补鍓濋悘宥夋⒑閹肩偛鈧洟鎳熼婵堜簷闂備焦瀵х换鍌炲箠鎼淬劌姹叉繛鍡樺灩绾惧ジ鏌e鈧ḿ褔寮稿☉銏$厸閻忕偛澧藉ú瀛橆殽閻愬弶鍠樻い銏★耿閹晠顢欓梻瀛樺媰闂傚倸鍊风粈渚€骞栭锔绘晞闁糕剝绋掗崑瀣煟濡鍤欓柦鍐枛閺岋繝宕堕埡浣圭亖缂備胶濞€缁犳牠寮诲☉鈶┾偓锕傚箣濠靛洨浜┑鐘愁問閸犳牠鏌婇敐鍜佹綎婵炲樊浜滄导鐘绘煕閺囥劌浜愰柛瀣崌閹晫绮欑捄顭掔幢闂備浇娉曢崳锕傚箯閿燂拷 | 濠电姷鏁告慨鐑藉极閸涘﹥鍙忛柣鎴f閺嬩線鏌熼梻瀵割槮缁惧墽绮换娑㈠箣閻戝棛鍔┑鐐村灦閻燂箓宕曢悢鍏肩厪濠电偛鐏濋崝姘舵煟鎼搭喖寮慨濠冩そ瀹曟鎳栭埞鍨沪闂備礁鎼幊蹇曞垝瀹€鍕仼闁绘垼妫勯拑鐔兼煏婢舵稓鐣遍柍褜鍓涢弫濠氬蓟閵娿儮鏀介柛鈩冧緱閳ь剚顨婇弻锛勨偓锝庡亞閵嗘帞绱掓潏銊ユ诞闁诡噮浜崺鈧い鎺戝闂傤垶鏌ㄥ┑鍡╂Ц闁藉啰鍠栭弻銊╂偄閸濆嫅銏ゆ煟閹邦剨韬柡灞界У濞碱亪骞嶉璺ㄧ崶闂備浇顕х€涒晜绻涙繝鍌ゆ綎闁惧繗顫夊畷澶愭煏婵炲灝鍔滈柣婵勫灲濮婃椽鎮烽弶鎸庮唨闂佺懓鍤栭幏锟� | 闂傚倸鍊搁崐鎼佸磹閹间礁纾瑰瀣捣閻棗銆掑锝呬壕濡ょ姷鍋為悧鐘汇€侀弴銏℃櫆闁芥ê顦純鏇熺節閻㈤潧孝闁挎洏鍊濋幃褔宕卞▎鎴犵劶闂佸壊鍋嗛崰鎾剁不妤e啯鐓欓悗娑欋缚閹冲啴鏌h箛锝勯偗闁哄本绋撻埀顒婄秵閸撴瑩寮搁幋锔界厪闁搞儜鍐句純閻庢鍠曠划娆愪繆濮濆矈妲鹃梺缁樻尫缁舵艾顫忓ú顏勪紶闁告洦鍓﹀Λ锛勭磽娓氬洤鏋涚紒澶庮潐娣囧﹪鎮界粙璺槹濡炪倖鐗楀銊╂儓閸曨垱鈷戠紒瀣濠€浼存煠閸︻厼浜剧紒鍌涘笒椤粓鍩€椤掑嫬绠栭悹杞拌濞尖晠鏌i幇闈涘妞ゅ骏鎷� | 缂傚倸鍊搁崐鎼佸磹閹间礁纾归柟闂寸绾惧綊鏌i幋锝呅撻柛濠傛健閺屻劑寮村Δ鈧禍鎯ь渻閵堝骸浜滅紒缁橆殜婵$敻骞囬弶璺唺闂佽鍎抽崢鏍偨婵犳碍鈷掑〒姘e亾婵炰匠鍥佸洭顢曢敃鈧悿鐐箾閹存瑥鐏柛銈咁儑閹叉悂鎮ч崼婵堢懖闂佺粯鎸婚悷褏妲愰幘瀛樺闂傚牊绋撴禒濂告⒑閸濆嫷鍎愮紒瀣尵濡叉劙骞掑Δ浣镐汗婵炴挻鍑归崹杈╃礊閸垻纾藉ù锝堟鐢稓绱掔拠鎻掓殶闁瑰箍鍨归埞鎴犫偓锝庝簽閿涙粌鈹戦悙鏉戠仸閽冭鲸銇勮箛鏇炩枅婵﹦绮幏鍛村川闂堟稓绉烘い銏$墵楠炲鏁冮埀顒傜不椤栫偞鐓ラ柣鏇炲€圭€氾拷 | 婵犵數濮烽弫鍛婃叏閻戣棄鏋侀柟闂寸绾惧潡鏌熺€电ǹ孝缂佽翰鍊濋弻锕€螣娓氼垱锛嗗┑鐐叉▕娴滄繈寮插⿰鍫熺厽闁逛即娼ф晶顕€骞栭弶鎴含婵﹨娅g划娆戞崉閵娧傜礃闂備胶枪椤戝洭宕戦妶鍛殾闁硅揪绠戝洿婵犮垼娉涢鍥储椤忓懐绡€闁汇垽娼ф禒婊堟煟韫囨梻绠炵€规洘绻勯埀顒佺⊕宀h法绮绘ィ鍐╁€垫繛鎴炵憽缂傛艾顭胯娴滃爼寮诲鍫闂佸憡鎸婚悷鈺佺暦閵忕姭鍫柛顐g箘閿涙盯姊洪悷鏉库挃缂侇噮鍨堕幃锟犲即閵忥紕鍘搁梺鎼炲劘閸庤鲸淇婇悡搴唵鐟滄粓宕归崼鏇炶摕闁哄洢鍨归獮銏°亜閹捐泛鏋庢い蹇ユ嫹 | 濠电姷鏁告慨鐑藉极閸涘﹥鍙忛柣鎴f閺嬩線鏌熼梻瀵割槮缁炬儳顭烽弻锝夊箛椤掆偓閺傗偓缂傚倸鍊圭喊宥囨崲濞戙垹骞㈡俊顖濇娴犳悂鎮楃憴鍕鐎殿喛鍩栫粚杈ㄧ節閸ヮ灛褔鏌涘☉鍗炴灈闁绘繃姊荤槐鎾诲磼濮樻瘷锝夋煟濡や胶鐭掗柛鈹惧亾濡炪倖宸婚崑鎾剁磼閻樿尙效鐎规洘娲熷畷锟犳倶缂佹ɑ銇濋柡浣稿暣瀹曟帒顫濇潏鈺傛瘞闂傚倷绶氬ḿ褔藝椤愶箑鐤炬繝濠傜墕绾惧綊鏌i姀鐘冲暈闁绘挻娲熼弻銊╁籍閸ヨ泛娈Δ鐘靛仦閻楃姴顕f禒瀣労闁告劦浜為惁鍫濃攽閻愯尙澧曢柣蹇旂箓閳诲秴鈻庨幘瀵稿幍闂佸憡鍨崐鏍偓姘炬嫹 | 婵犵數濮烽弫鍛婃叏閻戣棄鏋侀柟闂寸绾惧鏌i幇顒€鏂€缂傚倹纰嶇换娑㈠幢濡纰嶉柣鐔哥懕缁犳捇骞冨Δ鍛櫜閹肩补鍓濋悘宥夋⒑閹肩偛鈧洟鎳熼婵堜簷闂備焦瀵х换鍌炲箠鎼淬劌姹叉繛鍡樺灩绾惧ジ鏌e鈧ḿ褔寮稿☉銏$厸閻忕偟鍠庡Λ娑㈡偪閳ь剟姊洪幐搴g畵闁瑰啿绉堕懞閬嶆偂鎼存ɑ鏂€闂佺粯鍔曞鍫曞闯閽樺鏀介柣鎰ㄦ櫅娴滈箖姊绘担鍛婃儓闁活厼顦辩槐鐐寸瑹閳ь剟鎮伴鈧畷鍫曨敆婢跺娅嶉梻浣虹帛閿曗晠宕伴弽銊ь浄闁挎洖鍊归埛鎺懨归敐鍛殘鐟滅増甯╅弫鍕煕閳╁啰鈽夌紒鐘崇叀閺屾盯濡烽鐓庮潻闂佸搫顑勭欢姘跺蓟閻旂厧绀堢憸蹇曟暜濞戙垺鐓涢柛娑卞枟閸婃劙鏌$仦璇插闁诡喓鍊濆畷鎺戔槈濮楀棔绱�  
闂傚倸鍊搁崐鎼佸磹閹间礁纾瑰瀣捣閻棗銆掑锝呬壕濡ょ姷鍋涢ˇ鐢稿极瀹ュ绀嬫い鎺嶇劍椤斿洭姊绘担铏瑰笡闁告梹娲熼幃娲Ω閵夈垺鐎洪梺缁樏崢鏍崲閸℃稒鐓忛柛顐g箖閸f椽鏌涢敐鍛Ш闁哄矉绠撳畷姗€顢旈崟顒傗偓濠氭⒑鐎圭媭娼愰柛銊ユ健楠炲啴鍩¢崨顓犵厬婵犮垼娉涢鍡涘磹闁垮绡€缁剧増蓱椤﹪鏌涚€n亝鍤囬柡浣稿暣婵偓闁靛牆鎳撻幗鏇炩攽閻愭潙鐏熼柛銊ф嚀閺侇噣姊绘笟鈧ḿ褏鎹㈤崱娑樼婵犻潧顑嗛崑鐔兼煥閺囨浜鹃梺瀹狀潐閸ㄥ潡骞冨▎鎾村殤妞ゆ帊鑳跺銊╂⒒娴e憡鎯堥柟鍐茬箳閹广垽宕熼瀣剁秮楠炲洭寮剁捄顭戝晪闂佽崵濮村ú鈺冧焊濞嗘拲鍥Ω閳哄倵鎷洪柣搴℃贡婵敻濡撮崘顔界厾閻庡湱濮撮悡鎰版倵娴e啫浜瑰ù鐙呭缁數鈧綆鍋勯惁婊堟⒒娓氣偓濞佳囨偋閸℃稑纾归柣鐔稿閺嬪秹鏌涢妷銏℃珖缁炬儳鍚嬮妵鍕即閻愭潙娅i梺璇查獜缁犳垿鍩為幋锔芥櫖闁告洦鍓氬В鍫ユ倵鐟欏嫭绀堥柛鐘崇墵閵嗕礁鈽夊Ο閿嬵潔濠电偛妫欓崝锔界瑜斿濠氬磼濞嗘劗銈板┑鐐差槹濞茬喎鐣烽幎鑺ユ櫇闁稿本姘ㄩ鍡涙⒑鐠恒劌娅愰柟鍑ゆ嫹
您的位置:新文秘網(wǎng)>>畢業(yè)相關(guān)/畢業(yè)論文/文教論文/>>正文

畢業(yè)論文:A Pragmatic Analysis of Verbal Humor on The Big Bang Theory

發(fā)表時(shí)間:2013/7/25 18:57:27

A Pragmatic Analysis of Verbal Humor on The Big Bang Theory

A Thesis Submitted in Partial Fulfillment of the Requirement for the Bachelor Degree of Arts


Abstract
Humor is a vey prevalent but comple* phenomenon with a long study history. In the early years, most studies on humor focus on the fields of philosophy, sociology, psychology, and so on. In the recent thirty years, however, with the development of pragmatics, more and more scholars began to study verbal humor from the pragmatic perspective. Sitcom contains a large number of humorous utterances, so it could provide abundant humorous materials for the analysis and study of verbal humor. From the perspective of pragmatics, this thesis intends to apply the Cooperative Principle and the Politeness Principle to e*plore the inner production mechanism of verbal humor by the analysis of the humorous utterances in the American sitcom The Big Bang Theory. At the same time, the author wants to enlighten English learners to understand and appreciate verbal humor from a new view, that is, pragmatic perspective, and give some advice about how to use humor strategy in everyday communication. This research is helpful for us to know the inner production mechanism of verbal humor, and to have a better understanding and appreciation of it.

Key Word: pragmatics; verbal humor; Cooperative Principle; Politeness Principle; The Big Bang Theory



摘要
幽默是一種十分普遍卻又極其復(fù)雜的現(xiàn)象,幽默研究歷史悠久。早期的幽默研究多集中于哲學(xué)、社會(huì)學(xué)、心理學(xué)。近三十年來(lái),隨著語(yǔ)用學(xué)的發(fā)展,越來(lái)越多的學(xué)者從語(yǔ)用學(xué)的角度分析言語(yǔ)幽默。情景喜劇中含有大量的幽默話(huà)語(yǔ),可以為言語(yǔ)幽默的分析研究提供大量的語(yǔ)料。本文從語(yǔ)用學(xué)角度,運(yùn)用合作原則和禮貌原則的理論分析美國(guó)情景喜劇《生活大爆炸》中的大量幽默對(duì)白,從而探討言語(yǔ)幽默產(chǎn)生的內(nèi)在機(jī)制。同時(shí),啟示英語(yǔ)學(xué)習(xí)者從語(yǔ)用學(xué)這一新視角來(lái)理解和欣賞言語(yǔ)幽默,并為人們?cè)谌粘=浑H中如何使用幽默策略提出建議。此研究有利于我們認(rèn)識(shí)言語(yǔ)幽默產(chǎn)生的內(nèi)在機(jī)制,有助于我們理解和欣賞言語(yǔ)幽默。

關(guān)鍵詞:語(yǔ)用學(xué);言語(yǔ)幽默;合作原則;禮貌原則;《生活大爆炸》


Table of Contents
1 Introduction …………………………………………………………………… 1
1.1 Background of Humor Study ……………………………………………… 1
1.2 Purpose of Verbal Humor Study …………………………………………… 3
1.3 Importance of Verbal Humor Study ………………………………………… 3
1.4 Organization of the Thesis ………………………………………………… 4
2 Pragmatic Approaches to Humor Study ……………………………………… 4
2.1 Cooperative Principle and Conversational Implicature …………………… 4
2.2 Face Theory and Politeness Principle ………………………………………6
3 Research Methodology …
……(新文秘網(wǎng)http://120pk.cn省略3537字,正式會(huì)員可完整閱讀)…… 
ud(1960) proposed his theory of how laughter can release tension and “psychic energy”, which made the relief theories fully develop. He e*plained that“‘Psychic energy’ in our body is built as an aid for suppressing feelings in taboo areas, like se* or death. When this energy is released people e*perience laughter, not only because of the release of this energy, but also because taboo thoughts are being entertained. Humor is the catalyst for the relief through laughter. 2) Superiority theories. This group of theories developed from classical Greek and Roman rhetorical theory, including those theories of humor based on malice, hostility, derision, aggression, disparagement, or superiority. The Superiority Theory of Humor was formulated by Gruner (1997). He e*plained that based on human nature every humorous situation had a winner and a loser; the winner was the one who successfully made fun of the loser; with humor people e*press their own superiority.3) Incongruity theories. Originating from psychological studies of humor, this group of theories has the greatest influence on the study of humor and laughter, and makes up the largest proportion of the modern theories of humor. It was Schopenhuner who proposed incongruity theories of humor that “the cause of laughter in any case is simply the sudden perception of the incongruity between a concept and the real objects, and laughter itself is just the e*pression of the incongruity.”(FANG Chuanyu: 24) In incongruity theories, humor arises from disjointed ill-suited pairings or presentations of idea or situations that are divergent from habitual customs.

Humor and language are interdependent, so it is necessary to study humor from the perspective of linguistic. Since 1970s linguistic approach to humor has become prevalent. There are two most important linguistic theories of humor: one is the Semantics Script Theory of Humor(the SSTH), which is put forward by Raskin with the aim to “formulate the necessary and sufficient conditions, in purely semantic terms, for a te*t to be funny” (Raskin 1985: *iii); the other is the General Theory of Verbal Humor(Attardo& Raskin 1991), which is a combination of Attardo’s five-level joke representation model and Raskin’s SSTH, making up the defects of both the SSTH and Attardo’s model.
In the last twenty years linguistic studies on humor have e*tended to sociolinguistic approaches, cognitive-linguistic approaches, and pragmatic approaches with the development of the linguistics and humor studies. Especially, pragmatic study of humor has become an important part of humor research, and many scholars both abroad and at home apply major pragmatic theories to the analysis of humor, such as the Cooperative Principle, the Politeness Principle, the Relevance Theory, Speech Act Theory and the Face Theory. Raskin (1985) put forward his own CP especially for humor, the cooperative principle for the non-bona-fide communication mode of joke telling, and proposes a definition of the speech act of making a joke. In China, Liu Min (2004) analyses verbal humor with the Speech Act Theory (Quoted in FANF Chuanyu: 38); He Wenzhong (2003) argues that though certain ma*ims of the PP are violated, humor may not threaten face; many scholars, such as Lv Guangdan (1988), Liu Changfu (1987), Chen Chunhua (1999) and Li Lanping (2002), have illustrated how the CP ma*ims are violated in jokes. (Quoted in FANG Chuanyu: 140) This thesis will analyze verbal humor on the sitcom The Big Bang Theory form the pragmatic perspective with CP Theory and PP Theory.

1.2 Purpose of Verbal Humor Study.
Taking humorous utterances in the American sitcom The Big Bang Theory as the analyzing corpus, the author of this thesis will discuss how humorous effects are produced in spontaneous conversational interaction. The purpose of this thesis is to e*plore the inner production mechanism of verbal humor from the pragmatic perspective, based on Grice’s Cooperative Principle Theory and Leech’s Politeness Principle Theory. Furthermore, the author wants to guide English learners to understand and appreciate verbal humor from the pragmatics perspective, and suggest people applying verbal humor as communication strategy in daily life.

1.3 Importance of Verbal Humor Study
Although the scholars mentioned in the above section have demonstrated how the CP and the PP are violated in verbal humor, their studies are e*clusively about joke te*t, rather than humor in spontaneous conversational interaction. This thesis is to study humor involved in naturally occurring conversation. To some degree, it e*tends the research scope of verbal humor. In addition, there is large number of humorous utterances in the sitcom The Big Bang Theory, so it can provide genuine and abundant description data for the author to analyze. Sitcom is close to our life, and some situations in sitcom may happen sometimes in real life. Taking sitcom as study case can enlighten readers to adopt humor strategy in real life.

1.4 Organization of the Thesis
Part one is an introduction of the thesis, including the background, purpose and importance of the study.

Part two is the pragmatic approaches to humor study, which includes Cooperative Principle and its Ma*ims, Conversational Implicature, the Face Theory and the Politeness Principle and its Ma*ims.

Part three is research methodology, in which research procedure and date collection is introduced.

Part four is the major focus of the study, which firstly introduces sitcom and The Big Bang Theory, then applies pragmatic theories to analyze verbal humor on The Big Bang Theory. It includes humor created through flouting CP and its ma*ims and through flouting PP and its ma*ims.

The last Part summarizes the major findings and limitations of the study with suggestions for further study in this area.

2 Pragmatic Approaches to Humor Study
As Attardo(2003) has argues that all humor has a pragmatic component, it is indispensable to study humor from pragmatic perspective. This section will introduce two basic pragmatic theories, the Cooperative Principle and the Politeness Principle, which will be used to analyze the generation mechanism of the verbal humor in this thesis.

2.1 Cooperative Principle and Conversational Implicature
We know that an utterance may allow two interpretations in some situations: the literal meaning and the non-literal meaning. In order to account for such a linguistic phenomenon, Grice(1967) found that tacit agreement e*ists between the speaker and the hearer in all linguistic communicative activities. They follow a set of principles in order to achieve particular communicative goals. Thus, Grice proposed the term of the cooperative principle and its ma*ims.(YANG *inzhang 2005:169)

The CP is that participants in conversation should “Make your conversational contribution such as is required, at the stage at which it occurs, and by the accepted purpose or direction of the e*change in which you are engaged.”(Grice: 44)
1) The Ma*im of Quality
Try to make your contribution one that is true, especially
(i) Do not say what you believe to be false;
(ii) Do not say that for which you lack adequate evidence.
2) The Ma*im of Quantity
(i) Make your contribution as informative as is required for the current purpose of the e*change
(ii) Do not make your contribution more informative than is required.
3) The Ma*im of Relation
Make your contribution relevant.
4) The Ma*im of Manner
Be perspicuous and specifically:
(i) Avoid obscurity of e*pression;
(ii) Avoid ambiguity;
(iii) Be brief (avoid unnecessary proli*ity);
(iv) Be orderly.
In short, the CP mean ……(未完,全文共55224字,當(dāng)前僅顯示9932字,請(qǐng)閱讀下面提示信息。收藏《畢業(yè)論文:A Pragmatic Analysis of Verbal Humor on The Big Bang Theory》
文章搜索
相關(guān)文章
濠电姷鏁告慨鐑藉极閹间礁纾婚柣妯款嚙缁犲灚銇勮箛鎾搭棞缂佽翰鍊曡灃闁挎繂鎳庨弳娆戠磼閻樺啿绲婚柕鍡樺笒椤繈鏁愰崨顒€顥氶梻浣藉Г宀e潡宕伴弽顓炶摕婵炴垯鍨归悞娲煕閹板墎纾跨紒鍙樺嵆濮婂搫鐣烽崶鈺佺濠碘槅鍋勯崯鏉戭嚕婵犳碍鍋勯柣鎾虫捣閻i箖鎮峰⿰鍕煉鐎规洜鏁婚幃銏ゅ礂閼测晛骞堥梻浣稿暱閹碱偊顢栭崱娆屽亾濮樼偓瀚�
闂傚倸鍊搁崐宄懊归崶褏鏆﹂柣銏⑶圭壕濠氭煟閹邦喗鏆╅柣顓熺懇閺岀喓鈧數枪娴犙囨⒒閸曨偄顏柡宀嬬節瀹曟﹢濡搁妷銏犱壕闁煎鍊楁稉宥夋煛閸愩劎澧涢柣鎾跺枛閺岋繝宕掑☉姗嗗殝闂佺懓寮堕幃鍌炲蓟瀹ュ洨纾兼俊顖涙た濡啴姊洪崫鍕伇闁哥姵鐗犻悰顕€宕卞鍏碱€囬梻浣规偠閸婃宕伴弽顓炶摕婵炴垯鍨归悡娑㈡倵閿濆骸浜滄い蹇ユ嫹
闂傚倸鍊搁崐鎼佸磹閻戣姤鍤勯柛顐f礀閸屻劎鎲搁弮鍫㈠祦闁哄稁鍙庨弫鍐煥閺囨浜剧紒鐐劤缂嶅﹪寮婚敐澶嬪亜缂佸娉曡ぐ鍫濃攽閻愭潙鐏熼柛銊ョ秺閹€斥槈閵忥紕鍘遍柣蹇曞仦閸庢娊藟濮樿埖鐓涢悗锝庡亞婢у灚鎱ㄦ繝鍛仩闁瑰弶鎸冲畷鐔碱敃閵忕姌鎴炰繆閻愵亜鈧牕煤閿曞倸鐭楅柛鎰╁妿閺嗭附绻涘顔荤凹闁哄懏鎮傞弻銊╂偆閸屾稑顏�
闂傚倸鍊搁崐鎼佸磹妞嬪海鐭嗗〒姘e亾妤犵偞鐗犻、鏇㈡晝閳ь剟鎮块鈧弻鐔煎箚閻楀牜妫勯梺鍝勫閸庣敻寮婚垾鎰佸悑閹肩补鈧磭顔愭繝纰樻閸嬪懘鏁冮姀銈呰摕婵炴垶鐭▽顏堟煕閹炬ぞ璁查崑鎾诲箳濡や胶鍘撶紓鍌欑劍钃辨い銉ョ墦閺屸€崇暆閳ь剟宕伴弽顓犲祦闁糕剝鍑瑰銊╂⒑閹肩偛鈧宕伴弽顓炶摕婵炴垯鍨归悡娑㈡倵閿濆骸浜滄い蹇ユ嫹
闂傚倸鍊搁崐宄懊归崶褏鏆﹂柛顭戝亝閸欏繒鈧娲栧ú銊╂儗閸℃褰掓晲閸滀焦缍楁繛瀛樼矊缂嶅﹪寮婚敐澶婄疀妞ゆ帒鍊风划鐢告煟鎼淬垼澹樻い顓犲厴瀵鏁愭径濠勭潉闂佸壊鍋嗛崰宥咁潩閿斿墽纾藉ù锝勭矙閸濈儤淇婇銏犳殻鐎殿喖顭烽崹楣冨箛娴e憡鍊梺纭呭亹鐞涖儵鍩€椤掆偓绾绢參顢欐径鎰拻濞撴埃鍋撻柍褜鍓涢崑娑㈡嚐椤栨稒娅犲Δ锝呭暞閻撴瑩鏌涢幋娆忊偓鏍偓姘炬嫹 | 闂傚倸鍊搁崐鎼佸磹妞嬪海鐭嗗〒姘e亾妤犵偛顦甸崹楣冨箛娴e湱绋佺紓鍌氬€烽悞锕佹懌闂佸憡鐟ョ换姗€寮婚悢铏圭<闁靛繒濮甸悘鍫ユ⒑濞茶骞楁い銊ワ躬瀵鈽夐姀鐘靛姶闂佸憡鍔︽禍鏍i崼銏㈢=闁稿本鐟ㄩ澶愭煛閸涱垰鈻堢€殿喖顭烽幃銏㈠枈鏉堛劍娅栨繝鐢靛Т閿曘倝宕板璺烘辈妞ゆ挾鍎愬〒濠氭煏閸繂鏆欓柛鏃傛暬閺岀喖宕欓妶鍡楊伓 | 濠电姷鏁告慨鐑姐€傞挊澹╋綁宕ㄩ弶鎴狅紱闂佽宕樺▔娑氭閵堝憘鏃堟晲閸涱厽娈查梺绋款儏椤戝寮婚敐鍛傜喎鈻庨幆褎顔勯柡澶嗘櫆缁诲啰鎹㈠┑瀣潊闁挎繂鎳愰崢顐︽⒑閸涘﹥鈷愰柣妤冨Т閻g兘寮撮悩杈ㄥ媰闁荤喐鐟辩徊楣冨棘閳ь剟姊绘担铏瑰笡闁挎氨鐥紒銏犲籍闁靛棗鍊垮畷锝嗗緞閸粎鐩庨梺鐟板悑閹矂宕规潏鈹惧亾濮樼偓瀚� | 濠电姷鏁告慨鐑藉极閹间礁纾婚柣鎰斀缂傛碍绻涢崱妯诲碍閻熸瑱绠撻幃妤呮晲鎼粹剝鐏嶉梺鎼炲€曢懟顖濈亙闂佹寧绻傞幊搴ㄥ汲濞嗘垹纾奸柣姗€娼ч弸娑㈡煛鐏炲墽娲存鐐叉喘椤㈡﹢鎮╅闂存勃闂傚倷绀侀幖顐︻敄閸℃稒鍋嬮柣妯款嚙閽冪喖鏌¢崶鈺佹灁缂佺娀绠栭弻娑⑩€﹂幋婵囩亪婵犳鍠栭柊锝咁潖濞差亜浼犻柛鏇ㄥ亐閸嬫捇鎮界粙璺紱闂佽法鍣﹂幏锟� | 闂傚倸鍊搁崐鎼佸磹閻戣姤鍤勯柛顐f磸閳ь兛鐒︾换婵嬪炊瑜庡Σ顒勬⒑閸濆嫮鈻夐柣蹇斿姍瀹曨偊宕熼妸銉у闂備礁鎲″ú锕傚储閾忕懓鍨濋柟缁㈠枟閳锋帡鏌涚仦鍓ф噮妞わ讣闄勭换婵嬪焵椤掍焦缍囬柍杞扮閻忓﹤顪冮妶鍡欏⒈闁稿绋撶划鍫熷緞鐎b晝绠氶梺闈涚墕閹冲繘宕抽悾灞稿亾鐟欏嫭灏紒鑸靛哺瀵鈽夐姀鐘栥劑鏌曡箛濠傚⒉闁绘繃娲熼弻锝堢疀閹惧墎顔囬柣搴㈢▓閺呯娀鐛崼銉ノ╅柕澶婃捣閸犳牕鐣疯ぐ鎺濇晩闁诡垎鍐窗闂傚倷娴囬褏鎹㈤幇顓ф闊洦绋戠粻顖炴煥閻曞倹瀚� | 闂傚倸鍊搁崐鎼佸磹妞嬪海鐭嗗〒姘e亾妤犵偛顦甸弫鎾绘偐閼碱剦妲烽梻浣告惈缁嬩線宕㈡禒瀣;闁跨喓濮甸悡蹇涙煕椤愶絿绠栫€瑰憡绻勭槐鎺楀焵椤掍胶绡€闁搞儯鍔庨崢鎼佹⒑閸涘﹤濮傞柛鏂垮閺呭爼寮撮悩鐢碉紲闂佺粯锚瀹曨剙鐣甸崱娑欑厸閻忕偛澧藉ú鏉戔攽閿涘嫬鍘存鐐差儏閳规垶绻濋崒銈勭磾濠电姷鏁搁崑娑㈡偋閻愬搫绠柨鐕傛嫹 | 闂傚倸鍊搁崐鎼佸磹妞嬪海鐭嗗〒姘e亾妤犵偞鐗犻、鏇㈡晜閽樺缃曟繝鐢靛Т閿曘倝鎮ч崱娆戠焼闁割偆鍠撶粻楣冩煙鐎涙ḿ鎳冮柣蹇d邯閺屾稓鈧綆鍓欓弸鎴︽煏閸パ冾伃鐎殿喕绮欐俊姝岊槾闁绘挷绶氬娲传閸曨剦妫$紓渚囧枛缁夎淇婇悽绋跨妞ゆ牗姘ㄩ惈鍕⒑缁嬫寧婀伴柤鍦亾缁傛帒顫滈埀顒勫箖鐠轰警娼╅柣鎰靛墮椤忥拷 | 缂傚倸鍊搁崐鎼佸磹閹间礁纾归柣鎴eГ閸婂潡鏌ㄩ弴妤€浜惧銈庡亜缁绘濡甸幇鏉跨闁规儳鍘栭悽濠氭⒒娓氣偓濞佳囁囬锕€鐤炬繛鎴欏灪閸ゅ鎲搁悧鍫濈瑲闁绘挻鐟х槐鎾存媴闂堟稓浠奸梺鍝勵儐缁嬫挾妲愰幒妤佸亹濞撴凹鍨辩紞鍫㈢磽娴h櫣甯涚紒璇插暟閹广垹鈹戠€n亞锛滃┑鐐村灦钃辨い蹇曞█濮婄粯鎷呴崨闈涚秺椤㈡牠骞嬮敃鈧粻顖炴煥閻曞倹瀚� | 濠电姷鏁告慨鐑藉极閹间礁纾绘繛鎴欏焺閺佸銇勯幘璺烘瀾闁告瑥绻愰湁闁挎繂鎳庨弳鐐烘煙閸愬弶婀板ǎ鍥э躬閹瑩顢旈崟銊ヤ壕闁哄稁鍘奸崹鍌炴煕椤愶絾绀冮柛瀣剁節閺屽秵娼幍顔跨獥闂佹悶鍊栧ú姗€濡甸崟顖氱闁瑰瓨绺鹃崑鎾广亹閹烘垹鐛ラ梺绯曞墲缁嬫帡鎮¢弴銏$厸闁搞儯鍎辨俊鍏碱殽閻愭潙鐏撮柡灞界Х椤т線鏌涢幘鍗炲妤犵偛绻橀弫鎾绘晸閿燂拷 | 闂傚倸鍊搁崐鎼佸磹閻戣姤鍤勯柤鍝ユ暩娴犳氨绱撻崒娆掑厡缂侇噮鍨跺畷婵單旈崘銊ョ亰闂佸搫鍟悧濠囧磹婵犳碍鐓㈡俊顖欒濡叉悂鏌f惔顔煎籍婵﹨娅g划娆戞崉閵娧傜礃闂備胶枪椤戝棛绮欓幘璺哄灊闁割偆鍠庣欢鐐烘煙闁箑骞橀柛妯挎閳规垿鍩ラ崱妤冧淮濡炪倖娉﹂崨顓犵瓘闂佺厧顫曢崐鎰板磻閹炬枼鏋旈柛顭戝枟閻忓牓姊洪崫銉ユ瀻婵炲皷鈧鑰垮〒姘e亾婵﹨娅g划娆戞崉閵娧屽晥濠电姰鍨婚幊鎾绘偋婵犲嫮鍗氶柣鏂款殠濞笺劑鏌嶈閸撶喎顕f繝姘亜闁绘垶锚閻濅即鎮峰⿰鍐╂崳闁逞屽墯閻旑剟骞忛敓锟�